Friday 28 September 2012

supplementary post for Friday; had dinner tonight with Nadeesha; we used to work together at Macquarie. Dee has been living in LA for nearly 4 years; she has picked up a strong American accent, although she seemed to lose it during dinner. She now drives a black BMW; so she's climbed more than a few steps up the ladder of success since working as a paralegal for me!


Friday   Los Angeles

I was at the Whale of a Wash Laundromat at 7.15am.  Then breakfast and a walk along the beachfront to the pier at Manhattan Beach, in the 1920s and 30s it was billed as the ‘safest beach in America’ in promotional material. There was no indication on what basis this claim was made, probably fewer people drowned than elsewhere. Lots of people walking their dogs, or having other people walk their dogs for them. I was very pleased to meet a man coming towards me with two Bassett Hounds. I swerved in front of them and they were pleased to stop and get a pat from me and slobber all over my hands.

Then I got the satnav to direct me (and the car) to the Getty Museum, which is on a hill looking out on all the smog covering Los Angeles. The museum charges no entry fee, but it does charge $15 for parking. The parking station is at the bottom of the hill and small automated trains take visitors up the hill to the museum entrance.

The museum was founded by J. Paul Getty, who took a fortune left to him by his father and, by finding lots of oil, turned it into such a pile of money that he was, in the 1950s, considered to be the richest man in the world.

Getty endowed two museums in Los Angeles; one at Malibu built in the style of a Roman villa, which contains Greek, Roman and Etruscan art works; and the one I visited which has European and American art works from the Renaissance onwards.

The works on display were impressive but I came away more impressed by the building than the contents. The building was designed by Richard Meier, an American architect who usually makes prominent use of the colour white in his buildings; this is certainly true of the Getty as there isn’t a colour anywhere. The principal visible building material is 16,000 tons of Italian travertine marble.

On the way back to Manhattan Beach I stopped at an In N Out burger place for lunch. Supposedly the burgers are unchanged since the business was founded in 1948, and the one I had certainly tasted like the traditional burger rarely found in Australia these days.


the path to the beach from where i'm staying

the houses on the left front onto the beach

lifeguard tower; these are about every 400m along the beach

the path is for cyclists and skaters; the walking path is closer to the houses


this house is being fumigated



Manhattan Beach Pier



looking north

Getty Museum train with museum buildings in background

this garden is one of the permanent works of art

book of choral works from 15th century; at San Simeon 
yesterday i saw lampshades made out of pages from similar book

15th century illuminated bible; this is Jesus telling the crowd at right "he who is without
sin cast the first stone"



view south east from museum

view east to Bel Air and Beverly Hills


a room full of impressionist paintings







lunch at In N Out burgers in Culver City

for Mark and Neil

Thursday 27 September 2012



San Simeon    
The Hearst Castle

Up early and drove the 10kms north along the coast to San Simeon to the Hearst Castle. I was booked to do three tours each of 45 minutes; the Grand Rooms on the ground floor of the main building; Upstairs Suites in the main building and Cottages and Kitchen which tour two out of three of the cottages and the kitchen in the main building. My first tour was at 9am and then 10.15 and 11.15. There are thousands of visitors each day and it is very well organized. Visitors are taken by bus from the visitor centre off the highway to the house, up a very steep  road.

This ‘house’ was built from 1919 to 1947 by William Randolph Hearst, who inherited great wealth from his father and then added to that fortune by making one of his own from being the first great newspaper mogul. His father had left him a 100,000 hectare ranch near the fishing village of San Simeon, which is about 400km north of Los Angeles.

 Hearst had collected antiques ever since he had toured Europe with his mother as a 10 year old boy. He engaged Julia Morgan as architect to design a two story house on a hill 600m above sea level (the sea being about 5km to the west of the site). Hearst had collected whole rooms from houses and castles in Europe and wanted them incorporated into the new house. He had so much, and kept buying, that a very large house plus three ’cottages’ (the latter each with 6 or 8 bedrooms) were constructed. Although Hearst kept changing his mind about what he wanted and much rebuilding took place (eg the outside swimming pool was built three times before Hearst was happy).

Some years after his death in 1951 his family gave the house and its contents to the state of California (while keeping the majority of the surrounding land). It is as he left it when he last lived there in the late 1940s; that is why some portions of the exterior are unfinished. The buildings are steel frame and concrete and the exterior faced with limestone. The architect knew that San Simeon was in an earthquake zone and quakes since construction have caused very little damage.

As Hearst was a newspaper owner, a film producer and an actual (state senator) and aspiring (governor of New York and President of the US) politician he knew many famous and powerful people and he used to ask them to San Simeon for the weekend.

The film Citizen Kane (written and directed by and starring Orson Welles) was based on the life story of Hearst and in the film the house on the hill is known as Xanadu. Hearst was most unhappy when he found out about the film and tried all possible means to prevent its completion and release.

While the house is fascinating to look at it must have been an unusual place to stay. Just about everything in the bedrooms and living rooms is from the Renaissance and very valuable. Hearst liked to direct the activities of his guests, even when he was working in his study and did not participate in all the activities. Every night after dinner there was a movie shown in the 50 seat theatre and this meant that guests did not get to bed until 2am. Hearst himself then used to go back to work until 7am and then sleep until lunchtime.

I left San Simeon about 1pm and headed south to Los Angeles. The traffic started to get very heavy about 60km north of Los Angeles and I came into the metropolitan area in the evening peak house when freeways up to 13 lanes wide are choked with traffic and when there is some flow of traffic then lots of people drive like lunatics. I arrived at Manhattan Beach about 630pm and am now in my room at the Seaside Inn; with a view of the ocean. The beach is about 400m away down the hill. I will explore tomorrow.

wristbands ready !

unfinished building on the left; faced with limestone on the right

the ceilings are probably the most spectacular interior feature

and the fire places come second


the library

Hearst's bedroom

closet of his mistress Marion Davies

Marion Davies' bed

her bedroom ceiling

her writing desk; the art deco lamp is probably the most up to date thing in the house

the main house

every day Hearst got a copy of every newspaper he owned

Hearst's study

a portrait of Heart aged 31

view from main house

two level bedroom; the scaffolding is there because restoration work is being done on ceiling

garden

wine cellar; there are still lots of unopened bottles from the 1930s

road to the Castle

sitting room in cottage, looking towards the sea

in the kitchen

main living room

kitchen

taps in kitchen

outdoor pool

tennis courts

underneath tennis courts is indoor pool; this shows mosaic on bottom of pool

the indoor pool

view of house from visitor centre; bus to house from here

dining room; flags from Sienna

dining room ceiling

pool room with 16th century tapestry

pool room ceiling

cinema (before widescreen movies were invented)

lights in cinema